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Takashi Homma
SAGG Napoli
The work gives a representation of domestic space that is neither apologetic nor idealised
She argues that Kraus’s 1997 I Love Dick marked the emergence of a newly performative
Wes Anderson: The Archives communication design Takashi HommaAn archive is always a time machine, but the archives of Wes Anderson take us on a journey not just through time, but through layers of stories and the experiences of storytelling on paper and on film. This book is dedicated to these stories and celebrates Andersons over 30 years in cinema. From the start of his career, Anderson has maintained a rich library of notebooks, drawings, paintings, polaroids, props, puppets, sets, and costumes from his
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